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4.8 / 5.0
(10) 10 total reviews
Canon EOS C80 6K Full-Frame Cinema Camera (Canon RF)
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- £3,203.00
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- Regular price
- £3,203.00
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Product Description
Product Description
Overview of the Canon EOS C80 6K Full-Frame Cinema Camera
Introduction
The Canon EOS C80 6K Full-Frame Cinema Camera is a versatile and powerful cinema camera designed for professional filmmakers, broadcasters, and content creators. Part of Canon’s Cinema EOS lineup, it combines high-end imaging performance with a compact, portable design, making it ideal for both solo shooters and full-scale production teams.
6K Full-Frame Sensor
At its core, the EOS C80 features a 6K full-frame back-illuminated CMOS sensor, delivering high-resolution imagery with exceptional detail and dynamic range. It supports 6K recording at up to 30 frames per second, as well as oversampled 4K output for sharper and cleaner footage. This sensor excels in capturing cinematic visuals in a variety of lighting conditions, ensuring professional-quality results for every production.
Triple-Base ISO and Dynamic Range
The camera offers a triple-base ISO system (800, 3200, 12,800), enabling superior low-light performance while maintaining minimal noise. Its wide dynamic range allows filmmakers to retain detail in both shadows and highlights, making it highly effective for high-contrast scenes, nighttime shoots, and controlled studio environments.
Professional Recording Features
The EOS C80 supports multiple professional recording formats, including Cinema RAW Light and 10-bit 4:2:2 internal recording, providing flexibility for post-production workflows. It also supports 4K slow-motion recording up to 120fps, making it ideal for dynamic cinematic shots. Compatibility with standard professional codecs ensures smooth integration with editing and color grading pipelines.
Autofocus and Performance
Equipped with Dual Pixel CMOS AF II, the EOS C80 provides fast, accurate, and reliable autofocus. The system covers a large portion of the frame and excels in tracking moving subjects, which is particularly useful for documentary filmmaking, interviews, and run-and-gun shooting scenarios.
RF Mount and Lens Flexibility
The camera’s RF lens mount supports Canon’s RF lenses, known for their optical precision and fast communication with the camera body. Additionally, lens adapters allow compatibility with cinema-grade lenses, giving filmmakers creative control over depth of field, focal length, and image aesthetics.
Compact Design and Connectivity
Despite its advanced features, the EOS C80 is compact and lightweight, making it suitable for handheld, gimbal, or drone-based shooting. It includes multiple connectivity options such as 12G-SDI, HDMI, and professional audio interfaces, and features built-in ND filters for easier exposure control in bright conditions.
Canon C80 Specs
| Lens Mount |
Canon RF
|
| Lens Communication |
Yes: Cooke /i
|
| Sensor Resolution |
Actual: 26.67 Megapixel (6202 x 4300)
Effective: 19.05 Megapixel (6008 x 3170) |
| Image Sensor |
Full-Frame BSI Stacked CMOS
|
| Image Stabilization |
Digital, 5-Axis
|
| Built-In ND Filter |
Mechanical Filter Wheel with 2-Stop (1/4), 4-Stop (1/16), 6-Stop (1/64), 8-Stop (1/256), 10-Stop (1/1024) ND Filters
|
| Internal Filter Holder |
No
|
| Capture Type |
Stills & Video
|
| Shutter Type |
Electronic Rolling Shutter
|
| Shutter Speed |
1/2000 to 1 Second
|
| ISO/Gain Sensitivity |
Native: 100 to 102,400
|
| Shutter Angle |
11.25 to 360°
|
| Advertised Dynamic Range |
16 Stops
|
| White Balance |
Range: 2000 to 15,000K
Presets: AWB, Daylight, Set A, Set B, Tungsten |
| Internal Recording |
Cinema RAW Light 12-Bit
UHD 6K (6000 x 3164) at 23.98/24.00/25/29.97 fps [553 to 639 Mb/s] 4368 x 2304 at 23.98/24.00/25/29.97/50/59.94 fps [293 to 678 Mb/s] XF-AVC S Intra 4:2:2 10-Bit 4096 x 2160 at 59.94/60.00 fps [600 Mb/s] 3840 x 2160 at 50/60.00 fps [500 Mb/s] 2048 x 2160 at 59.94/120 fps [300 Mb/s] 1920 x 1080 at 50/120 fps [250 Mb/s] XF-AVC S Intra 4:2:2 10-Bit 4096 x 2160 at 50/59.94/120 fps [250 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97/120 fps [150 Mb/s] 2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/180 fps [50 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/180 fps [120 to 300 Mb/s] XF-AVC S Long GOP 4:2:0 8-Bit 4096 x 2160 at 50/59.94/120 fps [150 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97/120 fps [100 Mb/s] 2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/180 fps [35 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/180 fps [35 Mb/s] XF-HEVC S Intra 4:2:0 8-Bit 2048 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [9 to 16 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/60.00 fps [9 to 16 Mb/s] 1280 x 720 at 23.98/24.00/25/29.97/50/59.94 fps [6 Mb/s] XF-HEVC S Long GOP 4:2:2 10-Bit 4096 x 2160 at 50/59.94/120 fps [225 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97/120 fps [135 Mb/s] 2048 x 1080 at 23.98/24.00/25/29.97/30.00/50/59.94/180 fps [50 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/30.00/50/59.94/180 fps [50 Mb/s] XF-HEVC S Long GOP 4:2:0 10-Bit 4096 x 2160 at 50/59.94/120 fps [150 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97/120 fps [100 Mb/s] 2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/180 fps [35 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/59.94/180 fps [35 Mb/s] XF-HEVC S Long GOP 4:2:0 10-Bit 2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/60.00 fps [9 to 16 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [9 to 16 Mb/s] XF-HEVC S Long GOP 4:2:0 8-Bit 1280 x 720 at 23.98/24.00/25/50/59.94 fps [6 Mb/s] |
| Video Output |
SDI/BNC / HDMI / USB
4096 x 2160 |
| Recording Sensor Crop |
Crops to Output Resolution When Using Super35 Mode
|
| Fast-/Slow-Motion Support |
Yes
|
| Gamma Curve |
Canon Log 2, Canon Log 3, HDR-HLG, Rec709, Rec2020
|
| Built-In Microphone |
Stereo
|
| Audio Recording |
Cinema RAW Light: 4-Channel 24-Bit 48 kHz LPCM Audio
XF-AVC: 4-Channel 24-Bit 48 kHz LPCM Audio XF-AVC S, XF-HEVC S: 4-Channel 24-Bit 48 kHz LPCM Audio XF-AVC S, XF-HEVC S: 2-Channel 16-Bit 48 kHz AAC Audio |
| IP Streaming |
H.264, MPEG2, RTP, RTSP, SRT, UDP
1920 x 1080 at 50i, 50p, 59.94i, 59.94p (4.0 to 9.0 Mb/s) |
| Media/Memory Card Slot |
Slot 1: SD/SDHC/SDXC
Slot 2: SD/SDHC/SDXC |
| Video I/O |
1 x BNC (12G-SDI) Output
1 x HDMI (Unspecified Signal) Output |
| Audio I/O |
2x Mini XLR Input
1x 1/8" / 3.5 mm TRS Stereo Microphone Input on Camera Body 1x 1/8" / 3.5 mm TRS Stereo Headphone Output |
| Power I/O |
1x Barrel (23.7 to 25VDC) Input
|
| Other I/O |
1x RJ45 (XC) Control
1x USB-C Monitor 1x BNC (Timecode) (Shared with Video Output) 1x 2.5 mm Sub-Mini (LANC) Control |
| Wireless |
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
|
| Mobile App Compatible |
Yes: iOS Only
App Name: Remote Camera Control App Functionality: Adjust Settings, Remote Control, View Live Feed |
| Global Positioning (GPS, GLONASS, etc.) |
No
|
| Display Type |
Primary Monitor: Included External 3.5" Touchscreen LCD
|
| Resolution |
Primary Monitor: 1280 x 720
|
| Focus Mode |
Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, One-Shot AF
|
| Battery Type |
Canon BP-AN Series
|
| Power Consumption |
≤19.6 W
|
| Operating Conditions |
32 to 104°F / 0 to 40°C up to 85% Humidity
|
| Storage Conditions |
23 to 113°F / -5 to 45°C up to 60% Humidity
|
| Shoe Mount |
1x Intelligent Hot Shoe
|
| Tripod Mounting Thread |
1x 3/8"-16 Female
2x 1/4"-20 Female |
| Accessory Mounting Thread |
No
|
| Dimensions (W x H x D) |
6.3 x 5.4 x 4.6" / 160 x 138 x 116 mm
10.9 x 6.8 x 6.3" / 276 x 173 x 160 mm (With Handle, Included Battery, Mic Holder) |
| Weight |
2.87 lb / 1.30 kg (Body Only)
|

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£3,203.00
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For the kind of video projects where I need dependable footage and room to make creative decisions in post, this cinema camera has been a rewarding upgrade. The 6K capture gives me plenty of detail to work with, especially when I want to reframe a shot or deliver different versions for various platforms. Colors hold up well through my editing process, and the footage has a pleasing, cinematic character without requiring me to spend ages correcting every clip.
One thing I appreciate during actual shoots is how thoughtfully the controls are arranged. I can adjust settings without constantly digging through menus, which makes a difference when a scene is moving quickly or the lighting changes unexpectedly. The full-frame sensor also gives me useful flexibility in dim interiors and evening scenes, while the RF mount opens up plenty of lens choices for different projects. Focus tracking is dependable for interviews and moving subjects, helping me concentrate on composition and directing.
The body feels purpose-built for serious video production rather than adapted from a still photography camera. I find the physical controls and monitoring options useful when setting up shots, and the recording features give me flexibility for projects with different delivery requirements. It is not the sort of setup I would casually carry around all day without planning, especially with additional rigging, but on a dedicated production day, the handling feels sensible and professional.
What has impressed me most is how well it fits into a complete video workflow. I can move from controlled interview setups to more spontaneous documentary-style footage without feeling restricted by the camera. Battery planning and storage management still require attention during longer recording sessions, and the full benefit comes from pairing it with suitable lenses and a well-organized rig. For independent filmmakers and small production teams, it offers an appealing balance of recording quality, creative flexibility, and practical control that makes demanding shoots easier to manage.
Shooting with it has been a big step up from the smaller cinema bodies I have used before. The shape feels purposeful in the hands, with controls placed where I can reach them without constantly taking my attention away from the scene. It has enough heft to feel secure on a rig, yet I can still carry it around for a full day without feeling like I brought along something excessive.
The 6K full-frame recording gives me plenty of detail and flexibility when I need to crop or reframe footage in post. I also appreciate how well the camera handles scenes where the lighting changes during a take. Low-light footage has held up nicely for interviews and evening shoots, with plenty of usable detail and a natural look.
Focus tracking has been one of the most helpful parts of my experience. Keeping a person sharp while they move through the frame feels dependable, and having the RF mount gives me plenty of lens choices for different types of projects. The internal ND system has also made outdoor shooting much easier since I can control exposure without constantly reaching for external filters.
Menus and physical controls took a little time to learn, but once I set things up to match my habits, operating the camera became much more intuitive. Recording high-frame-rate footage has been useful for short slow-motion sequences, while the cinema-oriented controls make it easy to move between different shooting situations without feeling buried in settings.
Battery life has been suitable for the shoots I have done, and the body feels sturdy enough for regular production use. What stands out most is how capable the camera feels without becoming frustrating to operate. It has become a dependable choice for interviews, narrative projects, events, and other shoots where having strong video quality and flexible control matters.
Filmmaking feels far more enjoyable with a camera that responds quickly and delivers dependable results in every scene. Colors appear rich without looking artificial, while the level of detail leaves plenty of room for editing and grading. Autofocus stays confident even during fast movement, making handheld shooting far less stressful. The menu system is easy to learn, and the controls are placed where they feel natural during long recording sessions. Battery performance has been dependable, and the body inspires confidence during travel, outdoor shoots, and event coverage without adding unnecessary frustration.
Video quality continues to impress in both bright daylight and challenging indoor lighting, producing clean footage with pleasing dynamic range. Recording options provide flexibility for different projects, from interviews to cinematic storytelling, and files remain easy to manage in post-production. Cooling has remained dependable during extended recording sessions, allowing attention to stay on creativity instead of interruptions. Every project completed so far has delivered polished results that exceeded expectations, making it a dependable choice for creators who value consistency, speed, and professional performance.
After spending a good amount of time with this camera, I can confidently say it delivers exactly what I was hoping for. The image quality is outstanding, with rich colors, excellent dynamic range, and sharp detail that holds up beautifully in both bright and challenging lighting conditions.
The autofocus performance is fast and dependable, making it much easier to stay focused on capturing the moment instead of constantly adjusting settings. Low-light footage looks clean and natural, which has been a huge advantage during evening shoots and indoor projects.
The menu system feels intuitive, and the controls are laid out in a way that makes long shooting sessions comfortable. Recording options are flexible enough for professional projects while still being easy to manage during day-to-day use.
What impressed me most is how cinematic the footage looks straight out of the camera. The files provide plenty of room for color grading, and the results consistently look polished and professional.
For content creation, commercial projects, interviews, and documentary-style production, it has been a reliable tool that delivers excellent results every time. Very satisfied with the performance and quality.
Cinema production tool offering 6K full-frame capture with refined color science and high dynamic range handling, producing rich highlight roll-off and deep shadow detail. Internal recording options support demanding workflows, maintaining consistent bitrates for post-production flexibility. High sensitivity performance keeps scenes clean in low illumination while preserving tonal depth and texture.
Handling during production favors professional sets with responsive controls, adaptable menus, and robust codec choices that integrate smoothly into editing pipelines. Connectivity options support external monitoring and recording workflows, while in-body stabilization aids handheld movement without sacrificing detail rendering. Audio integration allows direct capture for streamlined field production.
Visual output maintains a strong balance of detail reproduction and color accuracy across varied shooting conditions, supporting narrative filmmaking and commercial work alike. Reliability during extended shoots and consistent performance across environments make it a dependable choice for demanding production schedules.
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At Cameriz Limited, we offer 2 years warranty on Camera, Camera Lens and Camcorders. 6 months warranty on Camera Flash and No warranty on Accessories like, Battery.
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