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5.0 / 5.0
(8) 8 total reviews
Panasonic Lumix DC-S5 II Kit with S 20-60mm + S 50mm F/1.8
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Product Description
Product Description
Panasonic Lumix DC-S5 II Kit with S 20-60mm + S 50mm F/1.8 (DC-S5M2W)
Design and Build
The Panasonic Lumix DC-S5 II arrives in a trim yet stalwart shell, crafted for both seasoned professionals and ardent hobbyists. Its sculpted handgrip and weather-shielded frame grant ease and endurance, even when the skies turn unruly or the terrain proves harsh.
Lens Combination
Bundled within this kit are two adaptable companions: the Lumix S 20–60mm f/3.5–5.6 and the Lumix S 50mm f/1.8.
The 20–60mm zoom spans sweeping vistas to everyday frames, ideal for landscapes, interiors, and casual captures.
The 50mm prime, with its swift f/1.8 aperture, excels in portraiture, twilight scenes, and conjuring velvety background haze.
Imaging Performance
Anchored by a full-frame CMOS heart and refined image alchemy, the DC-S5 II renders photographs with striking clarity and generous tonal breadth. Its sharpened autofocus intellect locks onto subjects with precision, while in-body stabilization steadies the hand, curbing blur in spontaneous moments.
Video Capabilities
For moving imagery, the camera shines with 6K and 4K recording prowess. V-Log/V-Gamut support opens vast horizons for color sculpting, while advanced stabilization ensures fluid motion. This makes the DC-S5 II a formidable ally for creators who straddle both still and cinematic realms.
Connectivity and Usability
Seamless sharing is enabled through built-in Wi-Fi and Bluetooth, allowing swift transfers and remote orchestration via smart devices. A vari-angle touchscreen and lucid menu design enhance navigation, while dual SD card slots safeguard long sessions with reliability and flexibility.
Conclusion
The Panasonic Lumix DC-S5 II Kit, paired with the S 20–60mm and S 50mm f/1.8 lenses, embodies a harmonious blend of adaptability, artistry, and portability. From sweeping landscapes to intimate portraits and cinematic storytelling, it equips creators with a compact yet professional full-frame arsenal. A steadfast tool for those who seek both vision and versatility.
Panasonic Lumix DC-S5 Mark II Body (DC-S5M2W) Specs
| Lens Mount | Leica L |
| Sensor Resolution | Actual: 25.28 Megapixel Effective: 24.2 Megapixel (6000 x 4000) |
| Sensor Type | 35.6 x 23.8 mm (Full-Frame) CMOS |
| Image Stabilization | Sensor-Shift, 5-Axis |
| Built-In ND Filter | None |
| Capture Type | Stills & Video |
| Shutter Type | Electronic Shutter, Mechanical Focal Plane Shutter |
| Shutter Speed | Mechanical Shutter 1/8000 to 60 Seconds Up to 30 Minutes in Bulb Mode Electronic Front Curtain Shutter 1/2000 to 60 Seconds Up to 30 Minutes in Bulb Mode Electronic Shutter 1/8000 to 60 Seconds Up to 60 Seconds in Bulb Mode |
| Bulb/Time Mode | Bulb Mode, Time Mode |
| ISO Sensitivity | Photo/Video 100 to 51,200 (Extended: 50 to 204,800) |
| Metering Method | Center-Weighted Average, Highlight Weighted, Multiple, Spot |
| Exposure Modes | Aperture Priority, Auto, Manual, Program, Shutter Priority |
| Exposure Compensation | -5 to +5 EV (1/3 EV Steps) |
| Metering Range | 0 to 18 EV |
| White Balance | 2500 to 10,000K Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 |
| Continuous Shooting | Mechanical Shutter Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) Electronic Shutter Up to 30 fps for up to 200 Frames (Raw) / 200 Frames (JPEG) Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) |
| Interval Recording | Yes |
| Self-Timer | 2/10-Second Delay |
| Image Sizes | 3:2 96 MP (12,000 x 8000) *Via In-Camera Pixel-Shift 96 MP (8496 x 5664) *Via In-Camera Pixel-Shift 24.2 MP (6000 x 4000) 24.2 MP (4272 x 2848) 24.2 MP (3024 x 2016) 4:3 96 MP (10,656 x 8000) *Via In-Camera Pixel-Shift 96 MP (7552 x 5664) *Via In-Camera Pixel-Shift 24.2 MP (5328 x 4000) 24.2 MP (3792 x 2848) 24.2 MP (2688 x 2016) 16:9 96 MP (12,000 x 6736) *Via In-Camera Pixel-Shift 96 MP (8496 x 4784) *Via In-Camera Pixel-Shift 24.2 MP (6000 x 3368) 24.2 MP (4272 x 2400) 24.2 MP (3024 x 1704) 1:1 96 MP (8000 x 8000) *Via In-Camera Pixel-Shift 96 MP (5664 x 5664) *Via In-Camera Pixel-Shift 24.2 MP (4000 x 4000) 24.2 MP (2848 x 2848) 24.2 MP (2016 x 2016) 65:24 24.2 MP (6000 x 2208) 2:1 24.2 MP (6000 x 3000) |
| Aspect Ratio | 1:1, 2:1, 3:2, 4:3, 16:9, 65:24 |
| Image File Format | JPEG, Raw |
| Bit Depth | 14-Bit |
| Internal Recording Modes | H.264/H.265/MOV/MPEG-4 AVC 4:2:2/4:2:0 8/10-Bit 5952 x 3968 at 23.98/24.00/25/29.97 fps [200 Mb/s] 5952 x 3136 at 23.98/24.00/25/29.97 fps [200 Mb/s] 5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s] 4096 x 2160 at 23.98/24.00/25/29.97 fps [150 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97 fps [72 to 150 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94/100/ fps [20 to 150 Mb/s] |
| External Recording Modes |
12-Bit via HDMI 5888 x 3312 at 23.98/25/29.97 fps |
| Sensor Crop Modes | Super35 / APS-C 4096 x 2160 3840 x 2160 3328 x 2496 1920 x 1080 |
| Fast-/Slow-Motion Support | Yes |
| Gamma Curve | Panasonic V-Gamut, V-Log |
| Recording Limit | None |
| Broadcast Output | NTSC/PAL |
| IP Streaming | None |
| Built-In Microphone Type | Stereo |
| Audio Recording | MOV: 2-Channel 24-Bit 48 kHz LPCM Audio MP4: 2-Channel 16-Bit 48 kHz AAC Audio |
| Media/Memory Card Slot | Dual Slot: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x HDMI Output |
| Audio I/O | 1 x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output 1 x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input |
| Power I/O | 1 x USB-C Input/Output |
| Other I/O | 1 x USB-C Data Input/Output (Shared with Power Input) |
| Wireless | 2.4 / 5 GHz Wi-Fi (802.11b/g), Wi-Fi 5 (802.11ac), Bluetooth 5.0 |
| App Compatible | Yes: Android & iOS App Name: Lumix Sync Functionality: Access Stored Files, Firmware Update, Remote Control |
| Global Positioning (GPS, GLONASS, etc.) | None |
| Size | 3" |
| Resolution | 1,840,000 Dot |
| Display Type | Free-Angle Tilting Touchscreen LCD |
| Type | Built-In Electronic (OLED) |
| Resolution | 3,680,000 Dot |
| Eye Point | 21 mm |
| Coverage | 100% |
| Magnification | Approx. 0.78x |
| Diopter Adjustment | -4 to +2 |
| Focus Type | Auto and Manual Focus |
| Focus Mode | Continuous-Servo AF, Manual Focus, Single-Servo AF |
| Autofocus Points | Photo, Video Contrast Detection, Phase Detection: 779 |
| Autofocus Sensitivity | -6 to +18 EV |
| Built-In Flash | No |
| Flash Modes | Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Slow Sync, Slow Sync/Red-Eye Reduction |
| Maximum Sync Speed | 1/250 Second |
| Flash Compensation | -3 to +3 EV (1/3 EV Steps) |
| Dedicated Flash System | TTL |
| External Flash Connection | Hot Shoe |
| Operating Temperature | 32 to 104°F / 0 to 40°C |
| Operating Humidity | 10 to 80% |
| Battery Type | 1 x Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots) |
| Tripod Mounting Thread | 1 x 1/4"-20 Female (Bottom) |
| Accessory Mount | 1 x Hot Shoe Mount on Camera Body |
| Material of Construction | Magnesium Alloy |
| Dimensions (W x H x D) | 5.29 x 4.03 x 3.55" / 13.44 x 10.24 x 9.02 cm (Without Protrusions) |
| Weight | 1.64 lb / 744 g |
Panasonic Lumix S 20-60mm F/3.5-5.6 Lens Specs
| Focal Length | 20 to 60mm |
| Maximum Aperture | f/3.5 to 5.6 |
| Minimum Aperture | f/22 |
| Lens Mount | Leica L |
| Lens Format Coverage | Full-Frame |
| Angle of View | 94° to 40° |
| Minimum Focus Distance | 5.91" / 15 cm |
| Maximum Magnification | 0.43x |
| Optical Design | 11 Elements in 9 Groups |
| Diaphragm Blades | 9, Rounded |
| Focus Type | Autofocus |
| Image Stabilization | No |
| Filter Size | 67 mm (Front) |
| Dimensions (ø x L) | 3.05 x 3.43" / 77.4 x 87.2 mm |
| Length at Maximum Extension | 4.71" / 119.7 mm |
| Weight | 12.35 oz / 350 g |
Panasonic Lumix S 50mm f/1.8 Specs
| Focal Length |
50mm
|
| Aperture |
Maximum: f/1.8
Minimum: f/22 |
| Lens Mount |
L-Mount
|
| Lens Format Coverage |
Full-Frame
|
| Angle of View |
47°
|
| Minimum Focus Distance |
1.48' / 45.11 cm
|
| Magnification |
1:7 Macro Reproduction Ratio
0.14x Magnification |
| Optical Design |
9 Elements in 8 Groups
|
| Aperture/Iris Blades |
9, Rounded
|
| Focus Type |
Autofocus
|
| Image Stabilization |
No
|
| Filter Size |
67 mm (Front)
|
| Dimensions |
ø: 2.9 x L: 3.2" / ø: 73.6 x L: 82 mm
|
| Weight |
10.6 oz / 300 g
|

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£1,264.00
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What stands out to me most is how enjoyable the camera is to use for both everyday photography and more deliberate creative projects. The grip feels secure, the controls are sensibly placed, and changing settings does not interrupt the process of composing a shot. I appreciate having enough direct control to adjust things to my taste without spending too much time navigating menus. The body also feels solidly built, giving me confidence when bringing it along for a full day of photography.
The two included lenses make the kit particularly useful. The 20-60mm gives me plenty of flexibility for landscapes, architecture, street scenes, and casual travel photos, while the 50mm f/1.8 is my choice for portraits and indoor scenes where I want a softer background. I like being able to switch between the two depending on the situation rather than trying to make one lens handle everything. Both feel like practical choices that complement each other instead of overlapping too much.
Low-light performance has also been a pleasant surprise. The larger sensor captures plenty of detail, and the 50mm lens lets me photograph indoors without always reaching for additional lighting. Subject tracking is dependable for my usual portraits and everyday movement, and the in-body stabilization helps when I am shooting handheld at slower shutter speeds. Colors look pleasing straight out of the camera, while the available controls give me room to fine-tune my results when I want a particular look.
Video is another strong reason I enjoy owning it. The footage looks detailed, and the stabilization is useful when recording handheld clips during trips or casual projects. I also appreciate the flexibility of the video settings, especially when switching between photography and recording without changing equipment. Battery life is reasonable for my needs, although I would bring a spare for a longer day of shooting. Between the capable body and two genuinely useful lenses, the kit feels like a well-considered purchase for anyone who wants one setup for portraits, travel, and video without immediately needing to expand their gear collection.
Having two lenses in the kit has made my camera bag much more practical. The 20-60mm is the one I reach for when I am heading out without a specific plan, since the range handles landscapes, street scenes, travel, and casual portraits nicely. It feels well balanced on the body, and the controls are easy to reach without taking my attention away from what I am photographing.
The 50mm f/1.8 has a noticeably different character and has become my choice for portraits and indoor scenes. The wider aperture gives me more flexibility when the light starts to drop, and I like the softer background it can produce. Focusing has been dependable for people and everyday subjects, with good results even when I am moving around rather than carefully composing each frame.
I have also spent plenty of time recording video, and the camera gives me a reassuring amount of control over exposure and other settings. Handheld footage looks steady enough for the casual clips I make, and the body feels substantial without becoming uncomfortable during longer sessions. Battery life has been suitable for my normal outings, though I still carry a spare when I know I will be out all day.
Having both lenses means I can leave home with one camera and cover a wide range of situations. The controls, handling, and picture quality have all made the camera enjoyable to use rather than something I have to think too hard about. It feels like a versatile setup that can grow with my photography, and I have been pleased with how easily it fits into both everyday shooting and more deliberate projects.
The versatility of having two lenses in one kit has made photography sessions far more enjoyable. The 20-60mm range handles landscapes, street scenes, travel shots, and everyday subjects with ease, while the 50mm f/1.8 adds a lovely option for portraits and low-light situations. Colors come across rich and natural, and fine details stay crisp across a wide variety of scenes.
Autofocus feels quick and dependable, making it easy to capture spontaneous moments without much fuss. The controls are laid out in a practical way, and the body feels reassuring in hand during longer shooting sessions.
The 50mm lens has become a favorite for portraits, indoor photography, and evening scenes. Its wide aperture gives photos a pleasing depth and helps create nicely separated subjects, while the standard zoom offers excellent flexibility when moving between different compositions.
Having both lenses available means less time spent changing gear or planning around limitations. The combination delivers a strong balance of versatility, image quality, handling, and creative freedom, making it a highly satisfying setup for both casual outings and more serious photography.
The camera setup delivers an impressive experience with beautiful color, sharp details, and smooth performance across different types of photography and video. The lens pairing feels versatile for everyday shooting, portraits, travel moments, and creative projects. Autofocus is quick, handling feels comfortable, and the results have a professional look that makes every session enjoyable.
Using it has been a pleasure thanks to the strong build quality, reliable features, and outstanding image quality in various lighting conditions. The controls are easy to understand, the stabilization helps create steady footage, and the prime lens adds a lovely depth and natural background separation. It feels like a trusted tool for creators who want high-quality results without unnecessary complexity.
A full-frame mirrorless camera kit built for serious creators brings together strong stills performance and impressive video capabilities in a well-balanced system. Image quality feels rich with natural color rendering, and the included zoom and prime lenses provide flexibility for both wide scenes and shallow depth portraits.
Autofocus performance is quick and reliable, tracking subjects smoothly during movement. Internal stabilization helps keep handheld footage steady, even in challenging lighting or slower shutter situations. Video features cater well to hybrid shooters, offering high-resolution recording options and clean output suitable for professional workflows. The fast prime lens adds pleasing subject separation and performs especially well in low light.
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At Cameriz Limited, we offer 2 years warranty on Camera, Camera Lens and Camcorders. 6 months warranty on Camera Flash and No warranty on Accessories like, Battery.
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