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5.0 / 5.0
(7) 7 total reviews
Panasonic Lumix DC-S5 IIX Body with 20-60mm F3.5-5.6 Lens (DC-S5M2XK)
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Product Description
Product Description
Panasonic Lumix DC-S5IIX with 20-60mm Lens
The Panasonic Lumix DC-S5IIX with 20-60mm F3.5-5.6 Lens is a full-frame mirrorless camera kit designed for photographers, filmmakers, and content creators who need flexible framing and advanced video capabilities. The combination offers a broad perspective range while keeping the overall setup practical for travel, events, landscapes, portraits, and professional production.
Full-Frame Image Performance
The S5IIX features a 24.2MP full-frame sensor that delivers detailed photographs, natural colors, and strong tonal reproduction. Its modern processing system supports responsive operation and provides the performance needed for demanding hybrid workflows.
Phase Hybrid Autofocus
The camera's phase hybrid autofocus system provides reliable subject detection and tracking. It can recognize people, animals, and other subjects, helping maintain focus during movement. This is useful for portraits, events, action scenes, and video recording.
Versatile 20-60mm Lens
The 20-60mm F3.5-5.6 lens provides an unusually wide 20mm starting point, making it useful for landscapes, architecture, interiors, travel scenes, and group photography. The 60mm end offers a more natural perspective for portraits and everyday subjects.
Strong Stabilization
The 5-axis in-body image stabilization helps reduce camera shake during handheld shooting. This provides greater flexibility for low-light photography and smoother video recording when working without a tripod.
Advanced Video Production
The S5IIX is particularly well suited to professional video workflows, offering extensive recording options and production-focused features. Combined with the flexible 20-60mm range, it can handle everything from wide establishing shots to tighter compositions without immediately requiring a lens change.
Practical and Durable Design
The camera features an ergonomic body with intuitive controls and weather-resistant construction. This makes the kit suitable for location work, travel, commercial assignments, and extended shooting sessions.
Conclusion
The Panasonic Lumix DC-S5IIX with 20-60mm F3.5-5.6 Lens is a versatile full-frame kit for hybrid creators. Its wide-angle coverage, dependable autofocus, effective stabilization, and advanced video capabilities make it suitable for landscapes, travel, events, filmmaking, and everyday creative work.
Panasonic S5 IIx Specs
| Lens Mount | Leica L |
| Sensor Resolution | Actual: 25.28 Megapixel Effective: 24.2 Megapixel (6000 x 4000) |
| Image Sensor | 35.6 x 23.8 mm (Full-Frame) CMOS |
| Image Stabilization | Sensor-Shift, 5-Axis |
| Built-In ND Filter | None |
| Capture Type | Stills & Video |
| Shutter Type | Electronic Shutter, Mechanical Focal Plane Shutter |
| Shutter Speed | Mechanical Shutter 1/8000 to 60 Seconds Up to 30 Minutes in Bulb Mode Electronic Front Curtain Shutter 1/2000 to 60 Seconds Up to 30 Minutes in Bulb Mode Electronic Shutter 1/8000 to 60 Seconds Up to 60 Seconds in Bulb Mode |
| Bulb/Time Mode | Bulb Mode, Time Mode |
| ISO Sensitivity | Photo/Video 100 to 51,200 (Extended: 50 to 204,800) |
| Metering Method | Center-Weighted Average, Highlight Weighted, Multiple, Spot |
| Exposure Modes | Aperture Priority, Auto, Manual, Program, Shutter Priority |
| Exposure Compensation | -5 to +5 EV (1/3 EV Steps) |
| Metering Range | 0 to 18 EV |
| White Balance | 2500 to 10,000K Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 |
| Continuous Shooting | Mechanical Shutter Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) Electronic Shutter Up to 30 fps for up to 200 Frames (Raw) / 200 Frames (JPEG) Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) |
| Interval Recording | Yes |
| Self-Timer | 2/10-Second Delay |
| Image Sizes | 3:2 96 MP (12,000 x 8000) *Via In-Camera Pixel-Shift 96 MP (8496 x 5664) *Via In-Camera Pixel-Shift 24.2 MP (6000 x 4000) 24.2 MP (4272 x 2848) 24.2 MP (3024 x 2016) 4:3 96 MP (10,656 x 8000) *Via In-Camera Pixel-Shift 96 MP (7552 x 5664) *Via In-Camera Pixel-Shift 24.2 MP (5328 x 4000) 24.2 MP (3792 x 2848) 24.2 MP (2688 x 2016) 16:9 96 MP (12,000 x 6736) *Via In-Camera Pixel-Shift 96 MP (8496 x 4784) *Via In-Camera Pixel-Shift 24.2 MP (6000 x 3368) 24.2 MP (4272 x 2400) 24.2 MP (3024 x 1704) 1:1 96 MP (8000 x 8000) *Via In-Camera Pixel-Shift 96 MP (5664 x 5664) *Via In-Camera Pixel-Shift 24.2 MP (4000 x 4000) 24.2 MP (2848 x 2848) 24.2 MP (2016 x 2016) 65:24 24.2 MP (6000 x 2208) 2:1 24.2 MP (6000 x 3000) |
| Aspect Ratio | 1:1, 2:1, 3:2, 4:3, 16:9, 65:24 |
| Image File Format | JPEG, Raw |
| Bit Depth | 14-Bit |
| Internal Recording Modes | H.264/H.265/MOV/MP4/ProRes 4:2:2/4:2:0 8/10-Bit 5952 x 3968 at 23.98/24.00/25/29.97 fps [200 Mb/s] 5952 x 3136 at 23.98/24.00/25/29.97 fps [200 Mb/s] 5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s] 4096 x 2160 at 23.98/24.00/25/29.97 fps [150 to 400 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97 fps [72 to 400 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94/100 fps [20 to 454 Mb/s] |
| External Recording Modes | 12-Bit via HDMI 5888 x 3312 at 23.98/25/29.97 fps 10-Bit via USB 5776 x 3056 at 23.98/24.00/25/29.97 fps 4096 x 2160 at 23.98/24.00/25/29.97 fps 1920 x 1080 at 24.00/25/50 fps |
| Sensor Crop Modes | Super35 / APS-C 4096 x 2160 3840 x 2160 3328 x 2496 1920 x 1080 |
| Fast-/Slow-Motion Support | Yes |
| Gamma Curve | Panasonic V-Gamut, V-Log |
| Recording Limit | None |
| Broadcast Output | NTSC/PAL |
| IP Streaming | RTP, RTSP 3840 x 2160 to 1280 x 720 at 25p, 29.97p, 50p, 59.94p (4.0 to 25.00 Mb/s) |
| Built-In Microphone Type | Stereo |
| Audio Recording | MOV: 2-Channel 24-Bit 48 kHz LPCM Audio MP4: 2-Channel 16-Bit 48 kHz AAC Audio |
| Media/Memory Card Slot | Dual Slot: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x HDMI Output |
| Audio I/O | 1 x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output 1 x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input |
| Power I/O | 1 x USB-C Input/Output |
| Other I/O | 1 x USB-C Data Input/Output (Shared with Power Input) |
| Wireless | 2.4 / 5 GHz Wi-Fi (802.11b/g), Wi-Fi 5 (802.11ac), Bluetooth 5.0 |
| Mobile App Compatible | Yes: Android & iOS App Name: Lumix Sync Functionality: Access Stored Files, Firmware Update, Remote Control |
| Global Positioning (GPS, GLONASS, etc.) | None |
| Size | 3" |
| Resolution | 1,840,000 Dot |
| Display Type | Free-Angle Tilting Touchscreen LCD |
| Type | Built-In Electronic (OLED) |
| Resolution | 3,680,000 Dot |
| Eye Point | 21 mm |
| Coverage | 100% |
| Magnification | Approx. 0.78x |
| Diopter Adjustment | -4 to +2 |
| Focus Type | Auto and Manual Focus |
| Focus Mode | Continuous-Servo AF, Manual Focus, Single-Servo AF |
| Autofocus Points | Photo, Video Contrast Detection, Phase Detection: 779 |
| Autofocus Sensitivity | -6 to +18 EV |
| Built-In Flash | No |
| Flash Modes | Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Slow Sync, Slow Sync/Red-Eye Reduction |
| Maximum Sync Speed | 1/250 Second |
| Flash Compensation | -3 to +3 EV (1/3 EV Steps) |
| Dedicated Flash System | TTL |
| External Flash Connection | Hot Shoe |
| Operating Temperature | 32 to 72°F / 0 to 40°C |
| Operating Humidity | 10 to 80% |
| Battery Type | 1 x Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots) |
| Tripod Mounting Thread | 1 x 1/4"-20 Female (Bottom) |
| Accessory Mount | 1 x Hot Shoe Mount on Camera Body |
| Material of Construction | Magnesium Alloy |
| Dimensions (W x H x D) | 5.29 x 4.03 x 3.55" / 13.44 x 10.24 x 9.02 cm (Without Protrusions) |
| Weight | 1.45 lb / 658 g 1.64 lb / 744 g |
Panasonic Lumix S 20-60mm F/3.5-5.6 Specs
| Focal Length | 20 to 60mm |
| Maximum Aperture | f/3.5 to 5.6 |
| Minimum Aperture | f/22 |
| Lens Mount | Leica L |
| Lens Format Coverage | Full-Frame |
| Angle of View | 94° to 40° |
| Minimum Focus Distance | 5.91" / 15 cm |
| Maximum Magnification | 0.43x |
| Optical Design | 11 Elements in 9 Groups |
| Diaphragm Blades | 9, Rounded |
| Focus Type | Autofocus |
| Image Stabilization | No |
| Filter Size | 67 mm (Front) |
| Dimensions (ø x L) | 3.05 x 3.43" / 77.4 x 87.2 mm |
| Length at Maximum Extension | 4.71" / 119.7 mm |
| Weight | 12.35 oz / 350 g |

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£1,298.00
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My main reason for choosing a full-frame camera was to have more flexibility for both photography and video, and the results have been satisfying from the start. Colors look natural, fine details hold up well, and the footage has a polished appearance without requiring excessive editing. The included 20-60mm lens is useful for everyday scenes, family gatherings, travel, and indoor recording. I can move from wider compositions to more natural perspectives without reaching for another lens.
Video features are where the camera has earned extra appreciation from me. The range of recording options gives me room to experiment with different projects, and the built-in stabilization helps when recording handheld clips while walking around. Subject tracking is dependable for my usual filming needs, and the controls offer plenty of customization once I spend time setting them up. The body feels sturdy, the grip is comfortable, and the layout becomes easier to navigate with regular use. Low-light performance is also pleasing, particularly when I pair sensible exposure settings with the fast full-frame sensor.
What stands out most is the balance between a capable camera body and a practical starter lens. The 20-60mm range is especially handy for travel because the wider end captures interiors and scenery without requiring me to stand far back, while the longer end works well for everyday subjects. Battery life depends on how much video I record and which settings I use, so I keep a spare available for longer sessions. There is a learning curve because the menus offer so many choices, but the flexibility makes that time worthwhile. I now have a dependable setup for stills and serious video projects without feeling forced to upgrade immediately.
My experience with the camera has been centered around how adaptable it feels from one type of project to another. The body has a solid feel in my hands without becoming tiring during longer sessions, and the grip gives me a secure hold when moving around with it. Controls are laid out in a way that lets me adjust settings without constantly stopping to search through menus.
The 20-60mm lens has been a practical pairing for everyday use. I can go from wider scenes to tighter framing with a quick turn of the zoom ring, which has been handy for travel, family events, and casual outdoor photography. Its size also keeps the complete setup manageable when I want to travel light.
Focusing has been responsive in normal shooting situations, including people moving around at a moderate pace. I have also spent time shooting indoors and in dimmer conditions, where the camera has handled higher ISO settings better than I expected. There is enough flexibility in the files to make small adjustments later without making the process feel difficult.
Video is where I have spent a lot of time with it. The controls make it easy to change settings while recording, and the body feels reassuring during longer video sessions. I appreciate having plenty of control over the recording process rather than feeling limited to automatic choices.
Battery life has been suitable for my usual outings, and I like having a setup that can handle both stills and video without bringing several different cameras along. The menu system takes a little time to learn, but once I became familiar with the layout, changing frequently used settings became much quicker.
What stands out most to me is the balance between serious controls and everyday usability. The camera feels capable enough for more involved projects while still being practical for casual weekend use. Having the versatile zoom included makes it an easy setup to reach for when I am not sure what I will encounter during the day.
The full-frame sensor produces rich detail, pleasing colors, and plenty of room to adjust exposure and shadows during editing. The 20-60mm lens is a practical pairing for everyday shooting, giving enough range for landscapes, portraits, travel scenes, and casual video without constantly changing lenses. Autofocus is dependable, controls are easy to customize, and the body feels well suited for long shooting sessions.
Video performance is where the setup becomes especially impressive. Recording options provide plenty of flexibility for creators who like to grade footage and fine-tune the final look. Stabilization helps when shooting handheld, while the handling and menu layout make it easy to adjust settings without slowing down the creative process. The lens also offers a useful focal range for moving between wider compositions and tighter subjects, making it a versatile choice for both planned productions and spontaneous clips.
For anyone looking for a full-frame setup that can handle serious photo and video projects, the package delivers a lot of value. Detail remains strong, low-light results are capable, and the combination of thoughtful controls, recording features, and adaptable lens coverage makes it easy to keep shooting without feeling restricted. It has become the kind of camera I can take on a weekend trip or use for a more demanding project and feel confident that it will keep up.
Mirrorless gear has come a long way, and using a full-frame setup like this has made every outing more enjoyable. Colors look natural, low-light scenes stay clean, and the files leave plenty of room for editing without falling apart. The included zoom lens covers a useful range, making it easy to move from landscapes to portraits without constantly switching glass.
Video performance stands out with dependable stabilization and smooth recording options that inspire confidence during long sessions. Menus feel organized, controls fall comfortably under the fingers, and the build gives a solid, durable impression without feeling cumbersome. Battery life has also been dependable during day trips, making it easier to focus on creating instead of checking the remaining charge every few minutes.
Every outing has produced results that feel polished and consistent, whether indoors or outside. Autofocus responds quickly, exposure stays reliable, and the camera encourages trying different creative ideas with ease. It has become a dependable part of every photography and filmmaking session, making the entire experience enjoyable from start to finish.
Full-frame hybrid mirrorless kit brings strong balance of image quality, video capability, and handling that feels confident in daily use. Magnesium alloy build gives a solid feel in hand, with controls laid out in a way that becomes second nature quickly. Grip design supports long shooting sessions without strain, even when switching between stills and video throughout the day.
Autofocus performance delivers dependable subject tracking with improved responsiveness in both bright and low light environments. Video features stand out with internal recording options that satisfy demanding creators, along with strong stabilization behavior that keeps footage smooth during handheld shooting. Color output carries that familiar cinematic tone many shooters appreciate, while dynamic range holds up well in challenging lighting situations.
Lens range included covers versatile everyday focal lengths, making it easy to move from wider environmental scenes to tighter portrait framing without constant swaps. Menu system feels logical once familiar, reducing friction during fast adjustments in real use scenarios. Battery endurance supports extended sessions without frequent interruptions.
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At Cameriz Limited, we offer 2 years warranty on Camera, Camera Lens and Camcorders. 6 months warranty on Camera Flash and No warranty on Accessories like, Battery.
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